Sony Fe 20 Mm F
In fact I actually have to say I fairly like this angle of view for this style. Sharpness at 1.eight is already good, however you can cease right down to get even higher results whereas additionally having more of the thing in focus. The short distance will help to take care of a good quantity of shallow depth of field even at f/4 and the lens shows a great character with pleasant out of focus areas. Zeiss sells a wide prime for the system, the Batis 18mm f/2.eight, but it costs $1,500. Most different choices on this focal length are zooms, none of which offer an f/1.8 design.
The 24mm lens has modestly less vignetting and shows fewer flare effects at slender apertures in our take a look at. The 20mm lens has slightly much less geometric distortion, slightly much less lateral CA, and fewer colour blur. Until now, the widest Sony prime for A7 and A9 sequence cameras was the FE 24mm f/1.four G Master.
Fe 20mm F1 Eight G
The FE 20mm presents full-body protection, something absent from Sony’s other 20mm prime, the E 20mm F2.eight, which is constructed for the corporate’s APS-C sensor a6000 series cameras. You can nonetheless use the FE 20mm on an a6600 or comparable digicam if you would like, but pictures won’t have the identical broad angle of view as when the lens is paired with a full-body camera. The Sony FE 20mm F1.eight G is a sharp, bright lens with a large angle of view. It’s a high-finish performer and a fantastic addition to your digicam equipment. It delivers astonishing levels of sharpness right throughout the whole picture body and into the extreme corners, which is a real problem for such a wide-angle lens.
- Lateral chromatic aberration is so negligible that there’s hardly any shade fringing, even at in the direction of the intense corners of the body.
- I was shocked at how well the 20mm G performed as I was really expecting it to be significantly worse than the 24mm G Master but that’s definitely not the case.
- Until now, the widest Sony prime for A7 and A9 series cameras was the FE 24mm f/1.four G Master.
- The first wave of lenses had been tailored DSLR lenses, not this one.
Simply calling the story ‘sample gallery’ would give no indication that we’ve provided informed evaluation primarily based on these pictures . 24 1.4 is certainly one of many optimal focal length & mild-gathering setups, but when you need 20mm, you need 20mm. After reading an article about Canon’s lens manufacturing a while back, I suspect it is mainly to do with the automation of manufacture and meeting . I like flare and undoubtedly favor sharpness over flare resistance.
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It actually trumps the Tokina which was considered one of my largest points with it – it never felt like an f/2.zero lens. Single exposures have been quite noisy because of the heavy vignetting and poor gentle transmission, which means it wasn’t one of the best lens for astro timelapses. Below is an example of the Sony vs. Tokina at f/2.zero with all other settings stored the identical.